Showing posts with label Photowalking. Show all posts
Showing posts with label Photowalking. Show all posts

Tuesday, June 9, 2009

Photowalking Utah: Star party

Star trails

The Salt Lake Astronomical Society will be hosting a Star Party at the Stansbury Park Observatory on the evening of Saturday June 13th, 2009. At this event, members of SLAS, and other enthusiasts, bring out their telescopes for the public to look through in addition to the telescopes at the observatory. You will be able to check out Saturn's rings or Jupiter's moons while you wait for your star trails bulb shot to complete.

We will be meeting out there at 9:00pm, where we will be introduced to the Vice President of the SLAS. This should also give us enough time so we can be set up by 9:30. Around 10:00pm is about when the stars should really start to shine. Typically the star parties last until 11:00pm, but the ending time for this is still TDB.

You can find Maps to the Observatory on SLAS's website:
slas.us/maps/SPOCMAP.HTM
slas.us/images/MAPS/SPOC_Map.gif (printable)

Once again, the details:
  • Stansbury Park Observatory (Not Island)
  • June 13th (Saturday)
  • 9:00pm

Weather Permitting

Follow the discussion on this Flickr thread.

Tuesday, May 5, 2009

Photowalking the Spiral Jetty

Spiral Jetty
Spiral Jetty Glowing
Originally uploaded by wibbet_



Spiral Jetty Beneath the Full Moon
Spiral Jetty Beneath the Full Moon
Originally uploaded by cuibel



The Spiral Jetty is the place to be in May. Having been on my list of places to visit for quite awhile, I'm excited to head up there!

There are two events that I'm aware of: May 9th and May 16th.

The first is organized by Charles Uibel and is a full moon night event. We'll meet at Golden Spike Historic Site at 6:00 pm and head out from there. It will go as late as you want to stay. Several people are planning on camping to be able to get the moonset later in the night and sunrise the next morning. More information and discussion can be found on this event page.

The second is organized by Photowalking Utah. The plan is to meet in the parking lot of the Golden Spike National Historic Site at 12:00 noon on Saturday, May 16. Since they charge $7/car or $3/individual, carpooling is strongly encouraged. They have asked that any photographs we take be for private use and not used commercially. More information and discussion can be found on this Flickr discussion.

The driving of the spike takes place at 1:00pm. In addition to the reenactment, there are a number of driving tours with interesting geographical features such as the Chinese Arch.

When we're done at the Spike, we will head out to the Spiral Jetty. It takes about 45 minutes to get there from the Spike to the Jetty. The road is a little rough, but most cars should be able to make it as long as you take it easy.

Given the time, distance, and remoteness involved in this Photowalk, everyone is encouraged to pack water and snacks.

Hope to see you at one of these events!

More info on Spiral Jetty
Meeting location

Tuesday, April 7, 2009

World's first 2 day photowalk *

Evening Dunes
Wow! What a weekend!
  • 1600 miles
  • 1200 images
  • 48 hours
  • and best of all: 8 new friends
A couple months ago, Trevor Carpenter, a blog acquaintance, included me in an invitation to meet-up in Death Valley for an extended photowalk. I replied with a tentative maybe. This spring was looking to be pretty busy with travel and I didn't know if I could get one more trip in. A week before the event, I made the final decision to go. And I am glad I did.

Thursday, my wife picked up a rental SUV to give us off-road capability and we headed out early Friday morning. We arrived at the Furnace Creek Visitors Center about 3pm. After paying the entrance fee, getting a weekend pass and talking with the ranger for a bit to get the lay of the land, we headed out to the nearest town to get a room. We returned to the Visitors Center at 5:30pm to meet-up with everyone else. The last of us got there at 6:30pm and we set out to catch the sunset at Zabriskie Point. When we finished making as many pictures as we wanted, we headed to 49er Cafe for dinner and to make plans for the next day.

Saturday started dark and early for the 90 minute drive to our sunrise location, Dantes View. For various reasons, half the group didn't make it, so after sunrise we headed back towards the Visitors Center to attempt to make contact. (There was no cell phone service in the park, so we had to go old-school and actually leave written notes.)

On the way to the Center, we got side-tracked by 20 Mule Team Canyon, a cool little drive with big views of interesting formations. When we finally arrived back at the Furnace Creek area, we found one part of our missing company. Since the remaining missing members knew where we were going, we headed off to our next destination, hoping to meet the last of our jolly band. We found them half way there and we all headed off to Badwater Basin.

Following Badwater, we headed north to Natural Bridge, followed by Artists Palette and finishing the day with sunset at Devils Golf Course. Once it got dark, we headed over to 49er Cafe again for dinner and Sunday planning. After dinner, some of us headed over to Mesquite Flat Sand Dunes for some long-exposure night-time photography.

Everyone was tired from Saturday's schedule, so we planned an easier timetable for Sunday. We met again at 10:30am at Zabriskie Point to get a different light than the previous sunset time for this location. From here we went to a Harmony Borax Works, a historic location for processing borax in the late 1800s that had some interesting decaying adobe structures and rusting metal equipment. After lunch at Stovepipe Wells Villiage, we hiked up Mosaic Canyon and wrapped up the weekend with sunset back at the sand dunes.

I had a great time meeting and photowalking with all the attendees. You never know what to expect when meeting a bunch of strangers for the first time, but everyone was fun to meet and willing to share; a super group of people: Jan Bussey, Kristi Gray, Paul Wirtz, Joan Hunt, Mark (last name unknown), Trevor Carpenter (and his two kids Sarah and Tom), Diane Pebley, and me.

Thanks to Trevor for taking the initiative and putting this together and for everyone else for your part in making this a great event. And thanks to my local photography friends Rich Legg, Ed Paz, and Ann Torrence for generously letting me borrow some of their equipment.

Watch my Death Valley Flickr set for new images from this trip over the next week. Or check out this page to see everybody's images (if they get tagged properly).

* As far as I know anyway.

Tuesday, December 16, 2008

Photowalking Utah: Temple Square

Temple Square 2
Temple Square 2
Originally uploaded by hpebley3
It's time again for our 2nd "Christmas Lights at Temple Square" walk and last event for this year. This time we're going to try something a little bit different. We're meeting at the City library on 4th South for a mini-clinic on low-light photography. Then we'll take the train up to Temple Square to put into practice what we've learned. (The train ride from the Library up to Temple Square is free.) You are welcome to come to one or both parts as time allows.

The date is this Thursday, December 18th. The clinic will run from 6:00pm to 7:00pm and be in Conference Room A, located on the lower level beneath the library foyer. It's accessible using the foyer staircase (down the stairs and to the left) or using the elevator next to the auditorium. The practical part will be from 7:30pm to 9:00pm.

Sunset is at 5:01pm that day, so if you want sunset and twilight shots, you might want to head down there early for a pre-clinic warm-up walk. You'll probably run into some others doing the same thing.

Here's the official announcement and here's the Flickr discussion. Please add a note to the discussion so we can get a head count for the room.

Friday, December 12, 2008

Photowalking Utah: Hill Air Museum

C-48 Skytrain
C-48 Skytrain
Originally uploaded by hpebley3

The next Photowalking Utah outing will convene tomorrow, Saturday, December 13th at 8:00 am at the Hill Aerospace Museum. Thirty minutes north of Salt Lake City right off I-15, this is one of the premier air museums in the United States. Cost is free, but donations are gladly accepted.

Skill level is unimportant. It doesn't matter if you shoot a digital SLR, point and shoot, film camera, camera phone, whatever. Come on out, join us and spend some time hanging out with other photographers having a good time.

The original announcement is on the Photowalking Utah website and discussion is in this thread.

Hope to see you there!

View Larger Map

Sunday, October 12, 2008

Photowalking Utah: Gardner Villiage

Radar failure
Radar failure
Originally uploaded by hpebley3

Photowalking Utah is meeting at Gardner Village this Saturday, October 18th to photograph ghosts, witches and other tricksters. This is going to be our kid-friendliest Photowalk yet. If you have them, dress them up or hand them cameras and bring them along. We'll be meeting at Archibald’s Restaurant at 3:30 pm and wandering around until 6:00pm when it's time for dinner, meeting back at Archibald's. Here is the complete discussion.

Skill level is unimportant. Nor does it matter if you shoot a digital SLR, point and shoot, medium format film camera, camera phone or whatever. Come on out and join us and spend some time hanging out with other photographers and having a good time.

Monday, September 22, 2008

Full Photographic Finale (for the week)

This last weekend was full of photographic culture for me. Friday night I went to a career retrospective by Sam Abell, a National Geographic contract photographer for 30 years. Saturday afternoon, I joined the Photowalking Utah group to view a presentation by Kenneth Linge, a wedding and portrait photographer. Both these photographers have a long history of exceptional work and both are about as different as Bob Newhart and Robin Williams.

Sam Abell's photography is very documentary in nature. His goal is, as an observer, to record places and events as they are. His presentation followed this style with a scripted slide show and an allotted time that he finished to the minute. It was a documentary of his career. This is not to imply a dry lecture. Far from it. He held a room of over 100 people spell bound for two hours as he showed images and regaled us with stories from his personal family life as well as tales of adventure from his professional travel. Interspersed with all this were tips for improving our photos: use strong diagonals, bad weather means good photos, put peoples' heads and shoulders above the horizon line, compose and wait, take pictures from behind people to respect their privacy.

As a portrait photographer, Kenneth Linge's photography is highly personal. With the goal to capture the individual's personality at its best, he employs copious amounts of personal interaction to surface their inner beauty. Like Sam, his presentation followed his photographic style. The opening "Hi I'm Kenneth. What do you want to talk about today?" exemplified our entire time with him. It was highly interactive with participants' questions and comments driving the direction of the discussion as we covered topics ranging from the color of his studio walls to the psychology of photographing people.

Even with the great differences in picture and presentation style, I thoroughly enjoyed the time spent listening and learning from each. If you ever get a chance to see either one, I highly recommend it.

Wednesday, August 13, 2008

Photowalking Utah: Ogden


To Ogden
Originally uploaded by The Episodic Author

Our next Photowalking Utah event is this Saturday, August 16th. We'll be meeting at Union Station in Ogden at 5:30 pm. We'll be shooting in and around the station and then heading down 25th Street. Here is the complete discussion.

For those interested in taking FrontRunner up, the train leaving Salt Lake's Intermodal Hub departs at 4:25, arriving in Ogden at 5:25. It's about a half mile walk down the road to Union Station. Return trips leave every 8 minutes past the hour until 11:08. (Here's the full schedule.) A one-way FrontRunner ticket costs $6.00. An all day pass costs $13.50. So unless you're making side trips (e.g. transfer to Trax or buses), two one way tickets are less expensive.

Skill level is unimportant. Nor does it matter if you shoot a digital SLR, point and shoot, medium format film camera, camera phone or whatever. Come on out and join us and spend some time hanging out with other photographers and having a good time.

Hope to see you there!
Hmm, maybe I should finish processing the photos from last month's walk...

Monday, June 23, 2008

How to prepare for a photowalk



I've never been on a photowalk before. How do I prepare?

This great question was recently raised on the Photowalking Utah discussion forum. I figured I could do a quick Google search and point the questioner to a couple answers. Surprisingly, I didn't find any, so here are some of my thoughts on the subject.

First, unless you know how to take photos without a camera, you will need one. This can be anything you want to use. Bring something you're comfortable with or want to learn to use better. Photowalks are not intended to be gear competitions. I've seen everything from cell phone cameras to five figure DSLR rigs to medium format film cameras used. There is no disgrace in having a point and shoot and there's no superiority in bringing the most expensive thing on the market. The goal is to have fun and learn to use what you have better.

Most cameras these days have batteries. Make sure they're charged. A backup would be a good idea. And don't forget to top off the batteries in accessories too.

There aren't many things more frustrating than getting the blinking "CF full" message in your viewfinder. Make sure you have enough space in your memory cards. Carry extra; better more than you need than not enough. Of course if you shoot film, memory cards won't do you much good; just have enough film for the trip.

Photowalking is a compound word. You need to take photos and you need to walk. A good pair of shoes appropriate for the location allows you to focus on shooting. The wrong pair will be a distraction. Make sure you fall in the first category. Some walking/sport shoes in an urban setting are probably a good choice. On the other hand, in a rocky environment some hiking boots might be better. I really appreciated the organizers of a recent photowalk letting us know there were some marshy areas around where we were going so I could bring some footwear appropriate for that environment.

Dress appropriately for the weather and check the forecast just before you leave. If there's going to be a wide swing in temperatures, use multiple light layers to add or remove insulation as needed. If there's going to be precipitation, don't not go. Rather take protection and have fun with the reflections and moody environment. Things look completely different in the rain. You might want to have a change of clothes in the car though so you don't have to drive home soggy.

Take care of your body. Walking is exercise and staying hydrated is important. Particularly outdoors during summer, make sure you have some sort of liquid available. This may be having some cash to pop into a local market to buy it on the fly if you're in town or carrying a bottle of water or canteen if you're out in the rough. In any case, make sure you know your limits and the environment and plan accordingly.

Know where and when the photowalk starts. Everyone misses out if the group leaves without you. You lose the synergy generated by the group and the group misses your input. There are several web sites that give time and distance between two points. (Here's one and here's another.) You enter your address and the address of the photowalk's start and you get back directions with estimated average driving time; adjust for weather and local road conditions. And then leave 10 minutes early.

The items above are the most important things to consider. If you want to go light, that's about it. Now let's cover some optional items.

First, taking optional items will probably require something to carry them. Depending on your load, a backpack, camera bag or large pockets will be suffice.

A hard-drive based media viewer is a really useful tool. My work flow is to start with two empty CF cards and the viewer (also typically empty). When I fill a card, I swap CF cards in the camera. I then put the full one in the viewer and start the backup. I can then continue shooting. When the backup is finished, I clear that card and have it ready for when the second card is filled. Repeat as needed. When I'm done with the photowalk it all gets downloaded to the computer and cleared from the portable devices.

Depending on the location, sometimes a tripod is useful. I've been on some photowalks where I've used it quite a bit. I've been on others where I haven't used it at all. Others fall in between. Sometimes I've not used it and should have. It all depends on personal style and the types of shots you're taking. I tend to err on the side of over planning and typically take it.

Lastly, consider the location and plan for possible needed accessories. If you're going to someplace during the day with lots of reflections, for example a car show or a lake or a river, a circular polarizer filter will help you cut out some of those reflections. If you're going to be catching a sunrise or sunset, some people like a graduated neutral density filter. A standard neutral density filter can give you interesting effects by blurring movement in bright light. Even during daylight, I always carry a flash and radio remotes, with charged batteries. You never know when a fill light will be just what you want.

In closing, mentally plan your trip. Think about the location and environment and the types of shots you want to get. Consider a new technique you've been wanting to try but haven't and plan to use it. I know people with very extensive DSLR setups who have attended with simple point and shoot cameras to limit their equipment options and focus on composition. Other's have attended with a new piece of equipment specifically to experiment with them. Some who are comfortable in the automatic modes on their camera, use the expertise of others on the walk to get more comfortable with aperture priority or manual modes. Finally, plan enough to get out there and have fun, but not so much that you lose spontaneity.

If anyone has any other ideas, feel free to share them in the comments.